1/4/2023 0 Comments Hypercube movieTraps are few and far between this time, but rooms exist in parallel universe, with different gravitational fields and in different times. The big difference between the two iterations of the cube Is that new one is that the new structure is a hypercube, one that exists in 4 dimensions. Elsewhere in the new cube, seven more captives – psychotherapist Kate (Kari Matchett), private detective Simon (Geraint Wyn Davies), who is looking for Becky, engineer Jerry (Neil Crone), computer hacker and games designer Max (Matthew Ferguson), lawyer Julia (Lindsey Connell), blind teenager Sasha (Grace Lynn Kung) and Alzheimer’s-stricken former theoretical mathematician Mrs Paley (Barbara Gordon), all in some way connected to Izon – also find themselves trapped in the structure. Into this nightmare comes Becky (Greer Kent), an employee of the defence contractor Izon who wakes in one of the cubes before being dragged away by person or forces unknown. This time the production design by Diana Magnus is simpler, more stripped back but no less effective, a network of glowing chambers with the image of a tesseract etched on each doo. The new film is set inside a new cube, a second iteration of the structure (“the original” is referred to obliquely a number of times), a less colourful prison than before. Of course, it lacks the originality of the first film and skimps on the gore but makes up for it by introducing a few new ideas, some more welcome than others. As its title playfully suggests, this direct-to-video sequel to 1997’s Cube – made without the involvement of original director Vincenzo Natali – expands on the basic idea of the first film in several intriguing ways.
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